Tiffanie currently works in visual development artist at Marvel Studios. She most recently served as production designer at Cartoon Saloon working on an exciting upcoming adventure TV series that is yet to be released.
This four-week course is a deep dive into all things color! You will learn how to mix colors from the inside out, how the power of neutral grays can amplify your paintings, how masters use color harmonies, and also how to paint in different lighting scenarios like overcast and direct lighting.
Tiffanie Mang is a visual development artist working in animation and a landscape painter primarily working in gouache. She currently works as a visual development artist at Titmouse. Past Clients include Marvel Studios, Cartoon Saloon, and Universal Music Group. Tiffanie was also one of the painters/animators who worked on the Oscar-nominated animated feature Loving Vincent, a completely hand-painted film in oil paints illustrating the life of Van Gogh. Living in Gdansk, Poland, she worked on the film for six months and animated six scenes in a studio of 125 other talented artists worldwide.
Tiffanie is most well known for her gouache landscape work, and her paintings have been in many gallery shows since 2018, including the 109th, 100th, and 101th California Art Club Gold Medal Exhibition Shows. She also has been featured in world-renowned magazines such as Plein Air Magazine, The Guide Artist Magazine, and more. Tiffanie loves to teach; in the last four years, Tiffanie has personally mentored over 100 students from around the world, including Europe, Asia, Australia, and South America.
Artist Statement
I have always been fascinated with how light reveals forms to create the most profound collaboration and symphony of color notes and shapes we see in landscapes around us. In my paintings, I seek to capture those stories I find in the shifting color and light through unique color palettes and bold brushstrokes. My goal is not to reiterate what I see on a canvas; I strive to capture the energy, essence, and fleeting impression that the landscape embedded in me when I first laid eyes on the sight.
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