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This course emphasizes the fundamentals of realism, with still life as the ideal medium for mastering them.
Still Life: Light, Form, and Color with Nick Eisele
Live Class Schedule (Zoom): DATE June 21, 28, July 12, 19, 26 (no class on July 5), August 2 from 2:00 pm – 5:00 pm EST– If you miss the live class for any reason, you will be able to watch it as a replay starting the following day.
This course emphasizes the fundamentals of realism, with still life as the ideal medium for mastering them. By focusing on still life, you will delve into bringing everyday objects to life on the canvas. Gaining will be gaining a deep understanding of light, form, and the intricate yet accessible nature of color. Under Nick’s expert guidance, you will systematically explore each element of a still life painting, culminating in a beautiful artwork that showcases your newfound skills.
Live Class Schedule (Zoom): DATE June 21, 28, July 12, 19, 26 (no class on July 5), August 2 from 2:00 pm – 5:00 pm EST– If you miss the live class for any reason, you will be able to watch it as a replay starting the following day.
Nick Eisele is a classically trained oil painter from Texas, celebrated for his intimate still life paintings that often feature dramatic lighting and unique compositions. Originally studying Visualization at Texas A&M University, Nick’s early passion for animation and cinema deeply informs his distinctive approach to painting-treating each arrangement like a cinematic stage, with meticulous attention to light and form. After honing his craft at the Schuler School of Fine Art in Baltimore, he developed a style marked by striking contrasts and atmospheric depth, frequently incorporating skulls, metallic objects, and everyday items to create compelling visual narratives. With a rapidly growing following and a commitment to authenticity, Nick’s work invites viewers to find beauty in the overlooked and the ordinary.
Painting Supplies
I firmly believe that using high-quality painting supplies is crucial, even for beginners. You do not want to struggle with your materials while painting.
Paint Colors:
* Warm White or Titanium White
* Cadmium Yellow
* Yellow Ochre
* Burnt Umber
* Raw Umber
* Cadmium Red Light
* Alizarin Permanent (claret)
* Ultramarine Blue
* Ivory Black
Recommended Brands- Michael Harding and Gamblin
Painting Medium:
* Gamblin’s Galkyd Lite Gel in a tube
* Note: Ensure it says “Galkyd Lite Gel” and not just Galkyd lite or galkyd gel. It is best to order online through Jerry’s Artarama or Blick.
* Alternative: Windsor and Newton’s Liquin – purchase the smallest available bottle.
Brushes:
* Filbert shape
* Size 2 and 4 Natural hog bristles and/or synthetic hog such as long Opal brushes
Recommended Brand – Trekell Art Supplies https://www.trekell.com
Panels:
* Smooth gessoed panel
* 2-3 panels size 8 x 10
* Recommended: Trekell Art Supplies – Oil ground panel https://www.trekell.com/products/oil-ground-panel-1-8-hardboard
* Alternatives: Ampersand Gessobord or Jack Richeson Gessoed Hardboard
* Avoid cheap canvas from local stores
Miscellaneous Supplies:
* Gamsol or odorless mineral spirit (for cleaning brushes)
* Brush Soap or Ivory soap https://www.trekell.com/products/trekell-linseed-oil-soap-for-oil-paint-3oz
* Paper towels – blue shop towels or Viva Signature Cloth – both are soft and absorbent, perfect for oil painting
* Simple Palette Knife
* A Sturdy Palette wish a neutral tone – not white. I will be using a glass palette painted gray. Wood palettes are great too. Avoid paper palettes, they are convenient for cleaning but are difficult to mix on.
* New Wave makes accessible palettes. I like their Posh Tabletop ones. https://amzn.to/4iRWKCf
About the Instructor

Nick Eisele
Nick Eisele is a classically trained oil painter from Texas, celebrated for his intimate still life paintings that often feature dramatic lighting and unique compositions. Originally studying Visualization at Texas A&M University, Nick’s early passion for animation and cinema deeply informs his distinctive approach to painting-treating each arrangement like a cinematic stage, with meticulous attention to light and form. After honing his craft at the Schuler School of Fine Art in Baltimore, he developed a style marked by striking contrasts and atmospheric depth, frequently incorporating skulls, metallic objects, and everyday items to create compelling visual narratives. With a rapidly growing following and a commitment to authenticity, Nick’s work invites viewers to find beauty in the overlooked and the ordinary.
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