Basic Steps in a Figure Drawing (one way)

There are many ways to approach a figure drawing. Let's separate a few steps to see each one clearly and address their challenges and benefits.

1) Measured Gesture: Most closely related to the skeletal system. We are looking for angles, lengths, and cross-checking in this stage

Two Flayed Men and Their Skeletons Domenico del Barbiere Italian ca. 1540–45

Benefits: If you get the skeleton right, you get the figure’s proportions right. 

Challenges: Be patient with simplicity and do not rush into adding form. We need some knowledge of the skeleton.

Gottfried Bammes (26 April 1920 – 14 May 2007)

2) Basic Mass: add initial forms to the figure. This focuses on cross checking and is most closely related to muscle groups.

George Brant Bridgman RCA (November 5, 1864 – December 16, 1943)

Benefits: It makes our drawing begin to feel human. We can practice cross-checking.

Challenges: Don’t believe that the lines we use are the final lines of the drawing, and many of these will be erased. 

3) Line: introduction of line to describe form and as a method of communication with the viewer. Most closely associated with the muscular system.

Sir Peter Paul Rubens 1577 - 1640

Benefits: intricate communication with your viewer.

Challenges: erasing the lines beneath and deciding which lines to use and which to avoid. Understanding of form.

4) Shade: this modern concept enhances form and increases drama. Most closely associated with surface forms and lighting.

Kathe Kollwitz 1867 -1945

Benefits: it adds dramatic impact and can focus the viewer. It also enhances the form concepts from lines.

Challenges include seeing shade as a graphic pattern with a hierarchy and leaving enough time to complete the work. We also need to understand the basic principles of shade, known as chiaroscuro. 

Drawing America

Sign up to find out about new courses and events